“What Eleanor Swanson does is to take us by her sure poetic hand and lead us into feeling.”
— Roald Hoffman (Accomplished poet of three books with twenty-nine honorary degrees & co-winner of the Nobel Prize in Chemistry)
About Eleanor
Eleanor Swanson is a widely published poet and fiction writer who holds a PhD from the University of Denver. As a professor in the Regis University English Department, she focused on teaching environmental literature and the literature of social justice and social change. Numerous selections of her poems have been featured twice in The Missouri Review. Her work has appeared in the Southern Review, Black Warrior Review, the Denver Quarterly, the Bloomsbury Review, the American Poetry Journal, and in many other notable publications.
Awards include an NEA Fellowship and a Colorado Council on the Arts Fellowship. She was recently a featured speaker at the University of Denver’s Women’s Library Association, and has been a featured workshop leader, visiting writer, or featured poetry reader throughout the United States. She is a member of Associated Writing Programs (AWP), Columbine Poets, and Association for Studies of Literature and the Environment (ASLE). She has been nominated three times for a Pushcart Prize. Her fiction and poetry have won first place awards in numerous competitions. Her first poetry collection, A Thousand Bonds: Marie Curie and the Discovery of Radium, won the Ruth Stevens Award (NFSP Press) and was a finalist for the Colorado Book Award, and her second collection of poetry, Trembling in the Bones—about the Colorado Coal strike of 1913 and the 1914 Ludlow Massacre—was reissued in 2013 ( 3: A Taos Press). Her third poetry collection is Memory’s Rooms (Conundrum Press). Her fourth poetry collection, Non Finito, was recently released by Fernwood Press. She is also a fiction writer who has published a novel and two collections of short stories. Her second collection, Exiles and Expatriates, won the Press Americana Prize.
She has volunteered for nonprofit agencies since the 1980s, including being a Big Sister since 1990. She has tutored homeless children and mentored incarcerated men at the Colorado Sterling Correctional Facility, and has volunteered for a decade as a Client Advocate at the Jefferson County Action Center. The Action Center serves 500,000 residents of the county with a clothing and food bank. Clients are also able to receive household and personal items, and assistance with rent and utilities.
As noted, she regularly reads from her work in the Denver Metro area and regionally, frequently as a featured or invited reader. She is currently working on a short story collection, and has completed a chapbook now under consideration by publishers, Raven Divinations in the Anthropocene. Her fifth full length poetry collection, Cartographies, has recently been released by Shanti Arts Press.
Reviews
Non Finito
“What is the fascination of the unfinished work of art? It is alive. That is because the unfinished is the doorway allowing the spirit of the reader to experience the universe around us and within us. Eleanor Swanson writes in her poem ‘I Love You Says the Heart’, ‘We can come to terms with things that can’t be/seen and reconcile ourselves to the fact that this/need not be tied to a belief in the supernatural...who has seen radio waves’ ... ‘Or the universe itself--/can it be seen?’ These majestic lyric poems introduce us to the infinite depths of ‘a windswept ridge at night with the stars/bright above and I am no longer alone but I waver/and merge with all the shadows that surround me.’ In this unfinished universe, where even the letters of poems are actually ‘the gray italic print of formulas,/galactic dust impressed there...’ with the vastness of the cosmos between that dust these poems are as filled with harmonic motion as the human soul.” —Jared Smith, author of How It Is and Shadows Within the Roaring Fork
Memory's Rooms
“One of Eleanor Swanson’s new poems begins with a headline: ‘Girl sees flash, finds / meteorite still hot.’ It’s a perfect description of the poems in this extraordinary collection. Each is a flash of memory, and thanks to the poet’s skill, each poem radiates a warmth both otherworldly and familiar. We’re made of star-stuff, the poet seems to say, and only by staying in touch with that fact can we know our worth and comprehend the worth of others. This is why entering Memory’s Rooms, though harrowing and heartbreaking at times, is also such a healing experience—an experience that will leave readers feeling thankful to Eleanor Swanson for inviting them in.” —Joseph Hutchison Thread of the Real
Little Houses
“The stories in Eleanor Swanson’s Little Houses are full of subtle mystery and nuance—of what we tell each other, and the secrets we keep, how we connect, and fail to connect, how we love, and how we betray those we love. And how there are no answers, not anywhere, though looking for them is what keeps us alive. These stories deal with nothing less than what it means to be human.”
—Jim Daniels, Thomas Stockham Baker Professor of
English at Carnegie Mellon University and author of
Having a Talk with Capital P Poetry and
Trigger Man: More Tales of the Motor City
Before the Reef
“Kudos to Eleanor Swanson. In this suspenseful family tragedy, she renders in affecting detail the existential mesh of human interaction in which our intention to protect others unleashes the anguish we sought to avoid. This is a skillfully and poetically rendered story of love and its reverberating loss, and of loyalty, sheer endurance, and of healing. Swanson is an adroit raconteur of the human heart.”
—Marilyn Krysl, author of Dinner with Osama,
Winner of Notre Dame’s Richard Sullivan Prize
Let’s Connect
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